Variations
Of Kusarigama:
Kyoketsushoge
距跋渉毛 or 距抜渉毛 (To Run Around The Fields And Mountains)
Perhaps
the most unusual variation of the Kusarigama is that of the Kyoketsu-Shoge. The term Kyoketsu-Shoge which loosely translates
as “To Run About The Fields And Mountains” is a variation upon the standard Kama template in that it consists
of a double edge spear type blade at the base of which is affixed a deeply curved kama blade. The chain on the Kyoketsu-Shoge
is replaced with a much longer length or rope (between 4 and 6 meters), which terminates in a large metal ring.
Whilst a number of Ninjutsu authorities claim that the Kyoketsu-Shoge is a far older
weapon than the Kusarigama, the lack of verifiable examples known to predate the Mid-Edo period means that I sincerely doubt
that there is any truth in this claim.
However there is another popular
belief that claims the Kyoketsu-Shoge is in fact nothing more than the adapted head of a broken Kama-Yari, this in my opinion
is the more realistic origin of the Kyoketsu-Shoge as Kama-Yari blades were frequently created with a very short Nakago (tang)
section.
Shinobigama 忍び鎌
(Stealth Sickle)
The term Shinobigama is used to describe two distinct yet obviously similar weapons allegedly used by
the Ninja of feudal Japan. The first variation of the Shinobigama is in essence a Kama of half size, designed to be easily
concealed.
The second and more appropriate variation was a Shinobigama
attached to a length of fine chain with a weight at the chains end. In essence being a Kusarigama that was half its normal
size. Again this variation of the Kusarigama was designed to be easily concealed by the user.
Kusarigama Technique:
Despite
what modern Cinema, Manga and Computer games would have us believe, the Kusarigama is a weapon originating from the late Muromachi
period, and designed primarily for single combat. Because of the nature of the weapons design, it is severely limited for
battlefield application and requires an open area within which the chain can be swung. Other people (be they friend or foe)
tree branches, buildings, tall grass or bamboo could all easily entangle the Kusari Fundo (weighted portion of the chain)
not only leaving the user unable to attack with any real conviction; but also unable to defend himself effectively.
One has only to look at the case of Yamada Shinryukan a famed Kusarigamajutsu exponent of the
17th century. Although Shinryukan was an exceptionally gifted warrior who had killed many swordsmen in single combat with
his Kusarigama, when he came to fighting the master of Kenjutsu Araki Mataemon he made the tactical error of allowing himself
to be lured into a grove of Bamboo where he was unable to swing his Kusari effectively and thus he was quickly killed by the
sword of Mataemon.
Rather than amidst the chaos of the battlefield,
it was during peacetime that the Kusarigama became a favourite weapon of law enforcement operatives; with not just Samurai
but also a number of Doshin (Feudal Policemen) and the higher ranked Yoriki (Police Captains) using the weapon to control
and apprehend criminals.
Like its ancestor the Kama, all Kusarigama
can be used to strike, cut, slash and stab at the vulnerable parts of a targets body, with the most common targets being the
neck, hands, wrist, stomach, groin and armpit. The Kama head was also highly effective at blocking strikes from an enemy weapon
(a manoeuvre made much easier with the addition of a Goken).
The Kusari
portion of the weapon can be used in the manner of any Manrikigusari in that it can bludgeon, trap, trip and strike against
an opponent with relative ease, whilst keeping the weapons user at a safe distance from the reach of the enemy. Within the
Junsei Ryu system we predominantly utilise the Kusari to strike at the hands, wrists or head of the opponent in order to create
an opening for an attack with a second weapon (In this case the logical choice would be the Kama). It is within the effective
range of the Kusari that this weapon comes into its own, in that a long weighted chain allows the wielder to create an area
of dead-space around him where due to the speed of the Fundo (Iron Weight) few wish to approach.
The Basic Principles of Kusarigamajutsu:
1) Use the Kusari to keep your opponent at a distance.
2) Feinting movements with the Kusari can easily force an opponent into a set defense.
3) Disarm your opponent by breaking his hands, wrist or forearm with the Fundo.
4) Disarm an opponent at range by entangling his weapon before moving in with a killing blow.
5) Limit the capability of an opponent by wrapping his head, neck, torso or legs with Kusari
before moving in with a killing blow.
6) When an opponent is already within
the arc of the Kusari utilize the Kama to block and attack.
7) (Hoten Ryu
Style Kama Only) Hold the Kusarigama by the Fundo and swing the Kama to keep your opponent at a distance and wound them when
within reach.
Noted Schools Of Kusarigama:
Akiyama Yoshin Ryu 秋山楊心流
The Akiyama Yoshin Ryu was founded by Akiyama Shirobei Yoshitoki in 1632.
Araki Ryu 荒木流
The Araki Ryu was founded in early 1573 by Araki Mujinsai
Minamoto no Hidenawa. Araki Ryu specializes in close combat grappling with weapons. Araki Ryu is also known by the name Mujinsai
Ryu.
Buko Ryu 武甲流
The warrior Toda Seigen founded the Buko Ryu style around the year 1560.
Fukuhara-Ha Masaki Ryu
The Kusarigama of the Fukuhara-Ha Masaki Ryu system of Kusarigamajutsu
is different to most Kusarigama designs in that its Kama portion has a short stubby blade more similar in appearance to an
axe or pick than a Kama.
Hoten Ryu 法典流
The Hoten Ryu at first glance looks more like a Manrikigusari (Double Ended Weighted Chain) in that the Kama end of the
Kusarigama is formed from a very short handle with a short Kama blade. Hoten Ryu is also one of the only schools of Kusarigama
in which the Fundo can be held and the blade section swung about the body. This development is at least in part due to the
unusual shape of the weapons Kama portion. The Hoten Ryu is also known as Houten Ryu.
Isshin Ryu Kusarigamajutsu 一心流鎖鎌術
The exact
origins of the Isshin Ryu style of Kusarigamajutsu is heavily disputed with some traditionalists claiming that the Ryuha was
founded by the warrior monk Soma Shiro Yoshimoto (aka Nen Ami Jion) sometime around the year 1400. However more recent scholars
believe that the system itself was founded no later than the 17th century by the warrior Tan Isshin. The Isshin Ryu Kusarigamajutsu
system is now only preserved as a Heiden (Subsumed Teaching) of the Shinto Muso Ryu; after it was added by the 24th Soke,
Shiraishi Hanjiro Shigeaki.
In design the Isshin Ryu Kusarigama is
arguably the most evolved form of the weapon known to exist. Whilst both Isshin Ryu and Maniwa Nen Ryu claim to share a common
founder; the vastly different design of the Isshin Ryu Kusarigama lends weight to the theory that the system was in fact developed
by Tan Isshin, as it version of the weapon obviously developed independently to the version used by the Maniwa Nen Ryu.
Maniwa Nen Ryu 馬庭念流
The Maniwa Nen Ryu system was founded by the warrior monk Soma Shiro Yoshimoto (aka Nen Ami Jion) sometime around the year
1400. Both Maniwa Nen Ryu and Isshin Ryu Kusarigamajutsu apparently share a common founder.
Kashima Shin Ryu 鹿島神流
The Kashima Shin Ryu system was founded
at some time around 1450 by two warriors named Kunii Kagetsugu and Matsumoto Bizen no Kami.
Masaki Ryu まさき流
See: Fukuhara-Ha Masaki
Ryu
Nen Ryu 念流
See: Maniwa
Nen Ryu
Shinto Muso Ryu 神道夢想流
See: Isshin Ryu Kusarigamajutsu
Suio Ryu Iai Kenpo
水鷗流居合剣法
The Suio Ryu Iai Kenpo incorporated the Kusarigama into its
syllabus under Fukuhara Shinzaemon Kagenori the 9th Soke of the system who based many of its movements upon those of Masaki
Ryu Fukuhara-Ha Kusarigamajutsu.
Tendo Ryu
天道流
The Tendo Ryu system was founded in 1582 by Saito Hangan Denkibo Katsuhide.
Toda-Ha Buko Ryu 戸田派武甲流
See Buko Ryu.
Yoshin Ryu 楊心流
See Akiyama Yoshin Ryu
Modern Kusarigama:
The Kusarigama has become rather en-vogue over the last few years, largely due to its portrayal
in Cinema, Computer games and Manga comics. However in almost every example its correct design and application are ignored
in favor of fantasy and cinemagraphic excitement.
A
Few Kusarigama Myths Exposed:
The Kusari Could
Be Spiked:
The Kusari (Chain) section was NEVER fitted with spikes, blades or barbs. Whilst this would make
for an effective tearing motion it would far too easily become embedded in an opponent, leaving the wielder unable to defend
against further attack or retrieve the weapon easily. Also the majority of Kusarigama applications require the user to rapidly
slide the Kusari through his hands.
The Kama Could Be Swung
By The Fundo:
Contrary to the opinion of many Ninjutsu authorities the Kama section was almost never swung around
by the Fundo. The natural weighting of the Kama portion would makes the back edge of the baton section strike first almost
every time. A noted exception of this rule is in the Kusarigama design of the Hoten Ryu (Houten Ryu) whose’ version
is specifically designed to allow for this.
A Very Long Kusari
Can Be Used To Implement Whipping Attacks:
There is always a practical limit to the length of the Kusari portion
of a Kusarigama. Any longer than three meters and rapid retrieval of the Fundo becomes difficult. As such the snakelike movements
as depicted in films like “Ninja Assassin” are utterly impossible. Traditionally the Isshin Ryu style Kusarigama
has the longest of all Kusari at an impressive 3.6meters.
Ninja
Used Kusarigama To Climb Trees:
The construction of the blade portion of a Kusarigama makes it an utterly unsuitable
replacement for a Kaginawa (Grappling Hook). Also the chain section is far to heavy to throw effectively into trees, there
is a reason people use ropes to do this! The Kusarigama is purely a weapon and not a utilitarian tool, in the same sense that
a Katana would not be suitable for chopping firewood.
The
Kusarigama Was A Battlefield Weapon:
Again some authorities on the Kusarigama would have us believe this, but
the truth is that the Kusarigama would be almost entirely ineffective in a battlefield situation. As mentioned earlier in
this article, the Kusarigama relies on open space for effective use, and the nature of feudal battlefield warfare would mean
that it became entangled almost continually.
The Fundo Or
Kama Was Often Wrapped In Combustible Material To Create A Fire Attack Or Nighttime Distraction:
Again, the
idea of a flaming Kusarigama is a very appealing one for modern cinema and computer games; but it is utterly impractical,
as the Fundo spends the majority of its time next to the head or torso of its user and only lashes forward to make the occasional
focused strike or entanglement.
Testing Different Designs
Of The Kusarigama:
Up until now Kusarigamajutsu instruction
within Junsei Ryu was something saved for high-ranking students and those with a particular aptitude for Kobujutsu. This combined
with the fact that the actual design specifications for Kusarigama were really a matter of personal preference, obviously
created an uneven playing field for those who wanted to train with the Kusarigama.
During the formulation of this article, it was decided that a standard design of Junsei Ryu Kusarigama was called
for, and what better opportunity to test it than with a complete side-by-side comparison to other Kusarigama designs.
Although my Sensei and myself are both quite adept with the Kusarigama, it had not formed an
official part of the Junsei Ryu or Hankyo Kobujutsu syllabus’ for many, many years (Largely because of the weapons
illegality within the UK). So a hardwood training Kama would form the bare bones that this weapon would be built around (Cleverly
dodging the legal issues of owning and using a Kusarigama within the UK)
The
first choice in creating a new Junsei Kusarigama would be choosing which length of chain would be most effective with our
current list of techniques. Because we utilise two lengths of Kusari within the Junsei system, one short double-ended Manrikigusari
(ten thousand power chain) and a much longer Kusarifundo (single ended, weighted chain) the choice came down to which length
would be more appropriate for combat against a swordsman. After some basic testing it became apparent to all, that although
the Manrikigusari was great for getting up close and personal, the longer Kusarifundo was far more effective at keeping a
swordsman at a safe distance.
As a result a longer chain length of
three metres was chosen.
The second choice in creating an official
Junsei Ryu Kusarigama design would be the overall blade shape. The relatively short blades of styles like Masaki Ryu and the
straight double edged blade of Isshin Ryu were not particularly compatible with our Kamajutsu techniques and as such were
immediately discarded.
In line with current Junsei Ryu Kama techniques
we opted for a medium to long blade with a good curvature.
The third choice
we had to make in creating an official Junsei Ryu Kusarigama would be the positioning of the Kusari attachment. As I already
have experience of Kusarigama with the Kusari mounted at both the head and base of the Kama the decision was taken to mock
up the three different versions of Kusari mounting on a spare hardwood Kama.
Being the most common design, the first tests were applied using a Kusarigama that had the Kusari portion mounted
to the base of the Kama. This mounting position allowed for the easy manoeuvring of the Kama whilst close to an opponent.
However when the Kusari wrapped or caught an opponent’s arm or weapon I found that with only a little resistance from
them, that the base of the Kama began to be pulled away from me, leaving the Kama portion further away from the enemy. Part
of this problem lay in the fact that the majority of swordsmen hold the sword in two hands and as such I was pulling against
them single-handed.
The second design of Kusari mounting that we tested
was a new one to me and by far the rarest form of Kusari mounting, the centre of the handle. This positioning for the Kusari
was by far the strongest of the three but I found that it hindered movement of the Kama (The Kusari extends between the fingers)
and made the changing of grip difficult. Pretty quickly it was decided that this variation of the Kusari mounting was not
suitable for our needs.
The final chain attachment position that we
tested was with the chain mounted on the back of the Kama head. Within only a few movements we found this to be the easiest
Kusari position for us to use and even when the Kusari got caught in an opponent, when they pulled against it, the Kama blade
merely turned towards them.
The Head mounted Kusari position was chosen
for it’s all round ease of use, and strength of technique.
The fourth
and final decision that we had to make on our official Kusarigama design was whether or not we would add a Goken (Hand Guard)
and if so at what position on the handle. The advantages of adding a hand guard are obvious, especially when the main weapon
we are fighting against is a sword. However the addition of a hand guard does limit the amount of movement that the hand can
make during combat.
After a number of tests we found that although
the addition of a Goken greatly improved a number of the blocking and capturing techniques, other techniques became rather
limited in their adaptability.
Of the various positions tested (upper,
middle and lower) the lower and middle parts of the handle made the most effective positions for a wide variety of techniques.
It was then that the suggestion was made that we create one longer Goken that covered both the lower and middle positions
of the handle. This compromise allowed for a greater range of movement that either of the positions did alone, whilst simultaneously
increasing the area of protection.
We can now look forward to
Kobujutsu students within Junsei Ryu testing their Kusarigama technique against one another on a fair and level playing field.
Until that is; I surprise them with yet another unusual weapon from my personal collection.
The information
on this page was taken from a www.JunseiMagazine.com article written by Taran McCarnun